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The Secretary of State, being a Minister designated for the purposes of section 2(2) of the European Communities Act 1972[1], in relation to measures relating to copyright and to rights in performances[2], in exercise of the powers conferred on him by that section, hereby makes the following Regulations: Citation and commencement 1. These Regulations may be cited as the Performances (Moral Rights, etc.) Regulations 2006 and shall come into force on 1st February 2006. Minor and consequential amendments 2. The Schedule (minor and consequential amendments) shall have effect. Introductory 3. The Copyright, Designs and Patents Act 1988[3]shall be amended as follows. Division into Chapters of Part 2 of the Copyright, Designs and Patents Act 1988 4. —(1) The cross-heading before section 180 shall be omitted. (2) Sections 180 and 181 shall become Chapter 1 of Part 2, entitled "INTRODUCTORY", and accordingly that heading shall be inserted in the appropriate place. (3) The cross-heading before section 181 shall be omitted. (4) Sections 182 to 205B shall become Chapter 2 of Part 2, entitled "ECONOMIC RIGHTS", and accordingly that heading shall be inserted in the appropriate place. (5) At the beginning of that Chapter there shall be inserted the cross-heading "Performers' rights". (6) Sections 205C to 205N (inserted by regulation 6) shall become Chapter 3 of Part 2, entitled "MORAL RIGHTS", and accordingly that heading shall be inserted in the appropriate place. (7) Sections 206 to 212 shall become Chapter 4 of Part 2, entitled "QUALIFICATION FOR PROTECTION, EXTENT AND INTERPRETATION", and accordingly that heading shall be inserted in the appropriate place. Performers' moral rights 5. —(1) In subsection (1) of section 180 (rights conferred on performers and persons having recording rights), for the words "This Part" there shall be substituted "Chapter 2 of this Part (economic rights)". (2) After that subsection, there shall be inserted—
(b) section 205F (right to object to derogatory treatment of performance).".
6.
After section 205B there shall be inserted— Right to be identified as performer 205C —(1) Whenever a person—
(b) broadcasts live a qualifying performance, (c) communicates to the public a sound recording of a qualifying performance, or (d) issues to the public copies of such a recording,
the performer has the right to be identified as such.
(b) in the case of a performance that is broadcast, to be identified in a manner likely to bring his identity to the notice of a person seeing or hearing the broadcast, (c) in the case of a sound recording that is communicated to the public, to be identified in a manner likely to bring his identity to the notice of a person hearing the communication, (d) in the case of a sound recording that is issued to the public, to be identified in or on each copy or, if that is not appropriate, in some other manner likely to bring his identity to the notice of a person acquiring a copy,
or (in any of the above cases) to be identified in such other manner as may be agreed between the performer and the person mentioned in subsection (1).
(b) in a case falling within paragraph (d) of that subsection in which it is not reasonably practicable for each member of the group to be identified,
if the group itself is identified as specified in subsection (2).
(b) on an assignment of a performer's property rights, by including in the instrument effecting the assignment a statement that the performer asserts in relation to the performance his right to be identified.
(3) The persons bound by an assertion of the right under subsection (2) are—
(b) in the case of an assertion under subsection (2)(b), the assignee and anyone claiming through him, whether or not he has notice of the assertion.
(4) In an action for infringement of the right the court shall, in considering remedies, take into account any delay in asserting the right.
(b) paragraph 3 (incidental inclusion of a performance or recording); (c) paragraph 4(2) (things done for the purposes of examination); (d) paragraph 8 (parliamentary and judicial proceedings); (e) paragraph 9 (Royal Commissions and statutory inquiries).
Right to object to derogatory treatment of performance
(b) by means of a sound recording the performance is played in public or communicated to the public,
with any distortion, mutilation or other modification that is prejudicial to the reputation of the performer.
(b) complying with a duty imposed by or under an enactment, or (c) in the case of the British Broadcasting Corporation, avoiding the inclusion in a programme broadcast by them of anything which offends against good taste or decency or which is likely to encourage or incite crime or lead to disorder or to be offensive to public feeling.
(5) Where—
(b) he has previously been identified in or on copies of a sound recording issued to the public,
subsection (4) applies only if there is sufficient disclaimer.
(b) if the performer is identified at the time of the act, appearing along with the identification,
that the modifications were made without the performer's consent.
(b) sells or lets for hire, or offers or exposes for sale or hire, or (c) distributes,
an article which is, and which he knows or has reason to believe is, an infringing article. Duration of rights 205I —(1) A performer's rights under this Chapter in relation to a performance subsist so long as that performer's rights under Chapter 2 subsist in relation to the performance. (2) In subsection (1) "performer's rights" includes rights of a performer that are vested in a successor of his. Consent and waiver of rights 205J —(1) It is not an infringement of the rights conferred by this Chapter to do any act to which consent has been given by or on behalf of the person entitled to the right. (2) Any of those rights may be waived by instrument in writing signed by or on behalf of the person giving up the right. (3) A waiver—
(b) may be conditional or unconditional and may be expressed to be subject to revocation,
and if made in favour of the owner or prospective owner of a performer's property rights in the performance or performances to which it relates, it shall be presumed to extend to his licensees and successors in title unless a contrary intention is expressed.
(b) if there is no such direction but the performer's property rights in respect of the performance in question form part of his estate, the right passes to the person to whom the property rights pass, (c) if or to the extent that the right does not pass under paragraph (a) or (b) it is exercisable by his personal representatives.
(2) Where a performer's property rights pass in part to one person and in part to another, as for example where a bequest is limited so as to apply—
(b) to part, but not the whole, of the period for which the rights subsist,
any right which by virtue of subsection (1) passes with the performer's property rights is correspondingly divided.
(b) any waiver of the right in accordance with section 205J by one of them does not affect the rights of the others.
(4) A consent or waiver previously given or made binds any person to whom a right passes by virtue of subsection (1).
(b) a person falsely claiming to act on behalf of a performer consented to the relevant conduct or purported to waive the right, and (c) there would have been no infringement if he had been so acting,
that person shall be liable, jointly and severally with any person liable in respect of the infringement by virtue of subsection (1), as if he himself had infringed the right.
(b) that the defendant reasonably believed that the person was acting on behalf of the performer.
(4) In proceedings for infringement of the right conferred by section 205F the court may, if it thinks it an adequate remedy in the circumstances, grant an injunction on terms prohibiting the doing of any act unless a disclaimer is made, in such terms and in such manner as may be approved by the court, dissociating the performer from the broadcast or sound recording of the performance.".
Requirement for signatures and its application in relation to body corporate
(1) The requirement in the following provisions that an instrument be signed by or on behalf of a person is also satisfied in the case of a body corporate by the affixing of its seal—
section 191C(1) (assignment of future performer's property rights); section 191D(1) (grant of exclusive licence).
(2) The requirement in the following provisions that an instrument be signed by a person is also satisfied in the case of a body corporate by signature on behalf of the body or by the affixing of its seal—
section 205J(2) (waiver of performer's moral rights).".
Transitional provision 1. The Copyright, Designs and Patents Act 1988 shall be amended as follows. 2. In subsection (3) of section 5B (films)[4] for paragraph (b) and the word "and" immediately preceding it there shall be substituted—
(c) references in this Part to copying a work, so far as they apply to a sound recording, do not include copying the film sound track to accompany the film, and (d) references in this Part to the issuing, rental or lending of copies of a work, so far as they apply to a sound recording, do not include the issuing, rental or lending of copies of the sound track to accompany the film.".
3.
—(1) Section 182D (right to equitable remuneration for exploitation of sound recording[5] shall be amended as follows.
(3) After subsection (7) there shall be inserted—
4.
In subsection (1) of section 191A (performers' property rights)[6] the word "a" appearing before the words "performer's property rights" shall be omitted.
signed,".
(3) In subsection (2) for the words from the beginning to the word "apply" there shall be substituted—
(b) section 6(3) to (5A) and section 19(4) (supplementary provisions relating to broadcasting),
apply".
7.
In section 212 (index of defined expressions), at the appropriate places, there shall be inserted—
section 182B(5); section 182C(2), (6) and (7); section 182CA(2); section 185(1) to (3); section 189 (and the heading to that section); section 190(2)(a); section 191(1), (2), (4) and (5); section 191A(1) to (4); section 191B(4); section 191C(3); section 191D(1); section 191I(3); section 191L(2); section 192A(1) and (3); section 192B(1) and (2); section 193(1); section 194(b); section 195(1); section 197(1) and (5); section 198(1)(c), (2) and (4); section 201(1); section 202(1); section 204(2); section 205B(1) and (2); paragraph 12(2) of Schedule 2; paragraph 1(4) of Schedule 2A.
9.
—(1) In the provisions listed in sub-paragraph (2) for the words "Part 2" (or "Part II"), wherever they appear, there shall be substituted "this Chapter".
paragraph 1A of Schedule 2; paragraph 2(1) and (1A) of Schedule 2; paragraph 3(1) of Schedule 2; paragraph 4(1), (2) and (3) of Schedule 2; paragraph 5(1) of Schedule 2; paragraph 6(1), (1A) and (2) of Schedule 2; paragraph 6A(1) of Schedule 2; paragraph 6B(1) of Schedule 2; paragraph 7(1) of Schedule 2; paragraph 8(1) of Schedule 2; paragraph 9(1) of Schedule 2; paragraph 10(1) of Schedule 2; paragraph 11(1) of Schedule 2; paragraph 12(5) of Schedule 2; paragraph 13(1) of Schedule 2; paragraph 14(1) and (3) of Schedule 2; paragraph 15(1) of Schedule 2; paragraph 16(1) of Schedule 2; paragraph 17(1), (2) and (3) of Schedule 2; paragraph 17A(1) and (2)(b) of Schedule 2; paragraph 17B(1) and (2)(b) of Schedule 2; paragraph 18(1), (1A) and (4) of Schedule 2; paragraph 19(2), (3) and (4) of Schedule 2; paragraph 19A(1) of Schedule 2; paragraph 20(1) of Schedule 2; paragraph 21(1) of Schedule 2; paragraph 1(1) and (2) of Schedule 2A.
10.
In paragraph 16(1) of Schedule 2 for the words "that Part" there shall be substituted "this Chapter". (This note is not part of the Regulations) These Regulations makes the necessary amendments to the Copyright, Designs and Patents Act 1988 ("the 1988 Act") to enable the United Kingdom to ratify the WIPO Performers and Phonograms Treaty (Cm 3728). This Treaty was specified by the European Communities (Definition of Treaties) (WIPO Copyright Treaty and WIPO Performances and Phonograms Treaty) Order 2005 (SI 2005/3431) to be a Community Treaty as defined in section 1(2) of the European Communities Act 1972. These Regulations create two new moral rights for performers of qualifying performances. The first right (granted by section 205C) is the right to be identified as the performer, the second right (granted by section 205F) is the right to object to derogatory treatment. Exceptions to these rights are set out in section 205E and 205G respectively. These Regulations divide up Part 2 of the 1988 Act into four chapters and make a number of minor amendments. Notes: [1] 1972 c. 68.back [4] Section 5B of the Copyright, Designs and Patents Act 1988 was inserted by regulation 9(1) of the Duration of Copyright and Rights in Performances Regulations 1995 (SI 1995/3297).back [5] Section 182D of the Copyright, Designs and Patents Act 1988 was inserted by regulation 20(2) of the Copyright and Related Rights Regulations 1996 (SI 1996/2967).back [6] Section 191A and 192A of the Copyright, Designs and Patents Act 1988 were inserted by regulation 21(1) of the Copyright and Related Rights Regulations 1996.back
ISBN 0 11 073931 0
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